autumn tactics

The summer that never was continues and life passes me as I sit in a puddle of convenience store sandwiches, canned coffee, and unshaved Fridays.

I will be working like this for probably another five weeks. I am stalling on using the GPU to export pixel shader contents directly to memory. Thread safety and frame rates follow me into my dreams where I ask my artists once again, are they _sure_ that the alpha is cleanly feathered in all of the UI textures?

Sample photographs are back from the ST801, and unfortunately it seems that the iris blades will not close, leaving the camera perpetually locked at F1.8. This did cost me a roll of Centuria 400 and I should have checked the mechanics of the camera before taking any pictures. Now I have the task of dismantling the lens in hopes of repairing the aperture control.

I am going to try very, very, hard to get to a highly talked of party at the end of the month, which as my good friend Futoshi says will provide, “some really great photographic material.” It is the weekend before _the_ milestone though, so my hopes of making it are waning.

A significant period off is rumored to occur in the next two months. The thought I could stop working and actually go somewhere seems unreal; I am hesitant to believe and even if it did manifest it would most certainly fall dramatically short of my expectations for the fabled multi week time off game developers supposedly get after a big project. Nevertheless, I am starting to study Italian again…my first instinct was a multi-country crawl through central Europe.

Today I am going out to the east side of town to get some precision tools for the Fujinon lens, and see an exhibition of the Japanese master painters. I also need some honest to goodness epiphany for planning my next collaborative show. We meet today and hopefully will make some significant headway towards a concept we can be invigorated by.

So…tired…natsubate.

Today is July 3rd. I don’t remember when I last wrote, but it seems like yesterday, whatever that means. Releases to client fall like rainy days and it’s a miracle I remember to pay the utility bills.

Tomorrow is America’s Independence Day, 232 years from when a group of influential Anglo-Saxan landowners decided they’d had enough of being controlled by a group of other influential Anglo-Saxans several thousand miles to the northeast across the Atlantic Ocean. Of all the major holidays I’ve had to abandon since forsaking social security and the right to bear arms, the Fourth of July is probably the most derelict. I’m always working late, but there’s no marketing support for it in Japan, so it comes and goes with only a mid-compile passing thought of so many teenage romantic entanglements amidst fireworks.

Tomorrow Chub-Du has a concert, as does a minor band that has shown interest in hiring me for photography (which I have badly managed). However, I’ll make it to neither as the gaming industry is one of the most underdeveloped, taxing, and grossly inefficient wings of software development. This is no cause for alarm, however, as I’ve long since acquiesced to the fact and simply accept is as being inevitable as mortal death.

In any case, I have two independent productions on the board right now, though the first is quite tenuous for lack of definition. If anyone is interested in providing artistic consul, I would be much obliged. You may leave comments or mail me.

Ikuno Oribe said, “If a retainer will just think about what he is to do for the day at hand, he will able to do anything. If it is a single day’s work, one should be able to put up with it. Tomorrow, too, is but a single day.” — Yamamoto Tsunetomo, Hagakure, The Book of the Samurai, seventh chapter

As I mentioned, today is the first day I’ve had off in a long time, and to be honest it’s never been truer that I don’t know how to take it easy. I can’t stand feeling like I’m wasting my body, my time, my life. I’ve watched a couple episodes of Quantum Leap and old E.R., but aside from that I’ve sorted the past months photographs, read some of The Negative, had a healthy fish dinner, and straightened up my desk. I’m too groggy to clean, sick of tv, and I have my console memory cards interred with an acquaintance. I can’t go to bed yet but I can’t waste any more time… reading a book would put me to sleep so I guess I’ll do some more studying with the internet. Fortunately etn is always there to give me a fresh stream of trance to keep my spirits up. There are so many things to do, some many ways to grow, so much to produce. There is a never-ending supply of liquid coal running through my veins, and my body is pulsing craton heated by the fire in my soul. I will not let this life expire unused.

1983. Annie closes on Broadway after 2,377 shows. Gandhi wins Best Picture as Return of the Jedi picks up steam. Pioneer 10 becomes the first man-made object to leave the solar system. The De Lorean Motor Company ceases production, and the McNugget is introduced. I am three years old and love Ernie. Konica also produces a charming little pocket rangefinder with auto focus, shutter, and film winding, all for the low, low price of 47,800 yen.

For some time now, I have wanted a lightweight “junk” camera that I can always have with me and throw in any number of bags. The A-1 is too versatile and valuable a piece of equipment to have jostled around in my backpack all the time. The 70-210mm zoom lens is also intimidating to a lot of people.

Anyway, I didn’t want to put a lot of money into said camera because that would defeat the purpose. So I’ve been coming flea markets and Akihabara back alleys for a couple of months. I finally found what I was looking for last weekend while helping out the Nihon Furosato Food Festival. I bought shiny, black, brick from a kindly, well-traveled old man who spoke way too much like a used car salesman. But the camera was impeccably well kept, spotless and hardly a scratch on it– inconceivable for a 25 year old consumer shoot-and-forget camera.

Though I have had a decent array of camera bodies for a while, this marks the first time I’ve ever had film bodies at the same time. I realized today how nice this was when shooting the annual hanami raves in Yoyogi park this afternoon. The weather was a real drag, frigid, raining, and dark. But having 1600 Natura pushed to 3200 in the A-1 and 400 Presto in the Konica, I felt confident that I could handle any number of shots without feeling the pressure to finish a roll for switching stock.

For the first time in a long time I have a considerable scan backlog now, so once I get through my slides I’ll make an album in the Gallery dedicated to Konnie.